THE LAST VOTE
好莱坞风格剧本范例
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
THE LAST VOTE
好莱坞风格剧本范例
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
好莱坞风格剧本范例
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
好莱坞风格剧本范例
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
好莱坞风格剧本范例
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
好莱坞风格剧本范例
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子,这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
好莱坞风格剧本范例
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
THE LAST VOTE
好莱坞风格剧本范例
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
好莱坞风格剧本范例
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
好莱坞风格剧本范例
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
好莱坞风格剧本范例
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
好莱坞风格剧本范例
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子,这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
好莱坞风格剧本范例
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
给每位编剧的 AI 助手
未来的剧本创作不是空白聊天框,而是一个真正理解叙事结构、角色弧光和格式杂务的专注写作空间。
把剧本格式整理这些低效工作交给 LlamaGen,你可以专注于 AI 无法替代的艺术判断。
剧本格式
场景、动作、对白
语言
英文、法文、日文、中文、意大利文
工作流
剧本到故事板
实时剧本处理
INT. COMMUNITY CENTER - NIGHT
折叠椅排成一片,雨水敲打高窗。MAYA 站在麦克风前,手里的笔记已经不再需要。
MAYA
如果这座城市不读这份记录,我们就把它读给所有人听。
一阵安静的浪潮穿过房间。有人开始录像。
COUNCILMAN REED
Reyes 女士,流程不是这样运作的。
格式整理
保留在草稿上下文中。
角色弧光
保留在草稿上下文中。
多语种润色
保留在草稿上下文中。
故事板交接
保留在草稿上下文中。
剧本工作区
LlamaGen 让页面保持剧本可读性,同时用 AI 辅助结构、改写、本地化和下一步故事板交接。
INT. COMMUNITY CENTER - NIGHT
Folding chairs. Rain against high windows. MAYA stands at the microphone.
MAYA
We will read it out loud.
A quiet wave moves through the room.
Feature 01
在仍然像剧本的页面里写作,场景标题、动作、对白、括号提示和转场都保持在应有的位置。
Shared draft
EVELYN circles the witness stand. The room knows the answer before he says it.
Terry Zhang
Showrunner
Draft 12
Courtroom rewrite saved with the civic-stakes pass.
Velika Lee
Editor
Dialogue note
Move Maya's choice before the public reveal.
Jasper Zuo
Producer
Room sync
Shotlist handoff is ready for producer review.
Feature 02
保存版本、收集团队评论,让远程写作会话持续推进,不会丢掉当前草稿。
Script
scene context
Shotlist
camera intent
Storyboard
visual draft
Feature 03
把场景带到故事板和镜头规划中,角色、地点、节拍和视觉意图仍然保留。
来自真实编辑器的功能
来自线上剧本工作区:格式控制、工作区标签、保存版本、顾问笔记、封面/大纲落库,以及 Beats 时间线。
INT. SUPERIOR COURT - DAY
木质长椅发出细响。MAYA REYES 看着每一部手机的灯光转向她。
MAYA
(镇定,但害怕)
记录不属于那些把它埋起来的人。
Cut to:
Feature 01
用清晰的剧本块写作:场景标题、动作、角色名、括号提示、对白和转场,从大纲到草稿都保持可读。
Shared draft
EVELYN circles the witness stand. The room knows the answer before he says it.
Terry Zhang
Showrunner
Draft 12
Courtroom rewrite saved with the civic-stakes pass.
Velika Lee
Editor
Dialogue note
Move Maya's choice before the public reveal.
Jasper Zuo
Producer
Room sync
Shotlist handoff is ready for producer review.
Feature 02
与编剧室共享草稿,在上下文中收集笔记,让远程写作会话持续推进且不会丢失最新版本。
INT. CITY HALL - NIGHT
Maya sees the council chamber empty except for one microphone still recording.
MAYA
Then let the tape run.
Make the choice arrive before the reveal.
The scene is stronger when Maya risks herself first, then discovers the evidence is already public.
Feature 03
选择结构、对白、节奏、类型或角色弧光等顾问风格,让反馈像有用的制片人,而不是泛泛的机器人。
Beat Arrangement Timeline
10 beats · 80 min · linked scenes
1. Opening Image
8m2. Theme Stated
6m3. Setup
8m4. Catalyst
7m5. Debate
9m6. Break Into Two
8m7. Fun And Games
10m8. Midpoint
8m9. Bad Guys Close In
9m10. Final Image
7mOpening Image
0'-8' · 1 scene
Theme Stated
8'-14' · 1 scene
Setup
14'-22' · 1 scene
Catalyst
22'-29' · 2 scene
Debate
29'-38' · 1 scene
Break Into Two
38'-46' · 1 scene
Fun And Games
46'-56' · 2 scene
Midpoint
56'-64' · 1 scene
Bad Guys Close In
64'-73' · 1 scene
Final Image
73'-80' · 1 scene
5. Debate
29'-38'Maya must decide whether to leak the file or protect a witness.
linked: scene-3
Feature 04
Beats 标签会渲染 10 个默认故事节拍,并按标题、描述、顺序、开始分钟、时长和关联场景组织在时间线上。
INT. SUPERIOR COURT - DAY
木质长椅发出细响。MAYA REYES 看着每一部手机的灯光转向她。
MAYA
(镇定,但害怕)
记录不属于那些把它埋起来的人。
Cut to:
tab switch
format lane
clean export
Feature 01
写作时页面始终保持剧本形状。 场景标题、对白、动作和转场各在自己的轨道里,所以创作完成后不需要再手动修边距。
剧本工作流
剧本视图应该像一张写作桌:安静的控制、宽松的页面、顾问笔记,以及草稿成熟后清晰的制作交接。
INT. SUPERIOR COURT - DAY
木质长椅发出细响。MAYA REYES 看着每一部手机的灯光转向她。
MAYA
(镇定,但害怕)
记录不属于那些把它埋起来的人。
Cut to:
tab switch
format lane
clean export
Feature 01
写作时页面始终保持剧本形状。 场景标题、对白、动作和转场各在自己的轨道里,所以创作完成后不需要再手动修边距。
EXT. OVERPASS - NIGHT
Sirens fade below. Leo holds the envelope, waiting for the truth to sound easier.
LEO
I can give them the file.
The action beat lands visually, but the character want is arriving one page late. Move the choice before the reveal.
Arc
Stronger reversal
Dialogue
Less exposition
Feature 02
获得 showrunner 级别的笔记,但不磨平你的声音。 用 LlamaGen 生成替代 beat、更强反转、更清晰欲望,或检查角色弧光。最终品味仍由编剧掌控。
Screenplay
scene context
Shotlist
visual intent
Storyboard
production view
INT. SUPERIOR COURT - DAY moves into a shot plan with scene context, characters, and visual intent intact.
Handoff readyFeature 03
场景成熟后,直接进入故事板。 当一组戏在页面上成立后,把它带入 LlamaGen 的故事板、shotlist 和视觉规划工具。
AI 故事板生成器
当剧本准备好后,把 sequence 送入 LlamaGen AI storyboard generator:场景号、镜头意图、生成帧、修改操作和视觉上下文保持一致。
故事板 proof wall
一个视图管理多个项目的 shot list
four-shot opening
AI 故事板Scene 1 · Shot 1
Establish the story problem before the product appears.
AI 故事板Scene 1 · Shot 2
A close-up makes the old meal feel plain and unappealing.
product enters the story
AI 故事板Scene 2 · Shot 1
The new product shifts the board from concern to choice.
AI 故事板Scene 2 · Shot 2
A pour shot highlights freshness, texture, and sensory appeal.
behavior change
AI 故事板Scene 3 · Shot 1
A warmer close-up turns the promise into visible momentum.
AI 故事板Scene 3 · Shot 2
The movement payoff gives reviewers a clear behavior change.
pack shot sequence
AI 故事板Scene 4 · Shot 3
The pack, bowl, and ingredient spread create a retail-ready frame.
AI 故事板Scene 4 · Shot 4
The end frame locks character, product, and promise together.
来自编剧的情书
编剧把 LlamaGen 当作安静的伙伴,用来处理格式、结构、本地化和下一轮修改。
It handles the mechanical cleanup I used to dread. I can stay with the scene instead of wrestling the format.
United States
Maya R., Los Angeles
The translation pass keeps the emotional beat intact. It feels built for writers who care about subtext.
France
Adele M., Paris
The advisor notes are practical. They point to rhythm, stakes, and character want instead of vague inspiration.
Japan
Ren S., Tokyo
I can draft in Chinese, review structure in English, and bring the scene into storyboard without starting over.
China
Lin W., Shanghai
The multilingual workflow makes co-writing feel lighter. Everyone sees the same scene, not five scattered files.
Italy
Giulia C., Rome
Screenplay 价格
同样的 LlamaGen 套餐,但围绕剧本工作重写:起草、格式、协作、导出和故事板交接。